http://www.christopherdgray.co.uk/writing daily 0.75 2014-02-10 http://www.christopherdgray.co.uk/writing/2014/2/10/the-masterplanning-handbook monthly 0.5 2014-02-10 http://www.christopherdgray.co.uk/writing/2014/1/27/landscape-urbanism-dot-com monthly 0.5 2014-02-10 https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390857931051-W3OAIRLWDJIZD01ABLFH/Screen-shot-2011-10-30-at-30-Oct-2011-18.13.10-590x449.png Writing - landscape urbanism (dot) com http://www.christopherdgray.co.uk/writing/2014/1/27/turning-the-field-contradictions-in-landscape-urbanism monthly 0.5 2014-01-27 https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390861951259-IQ46LTXG11CFNWM9XWPF/194263893_d654dac3e9_o.jpg Writing - Turning the field: Contradictions in Landscape Urbanism [Figure 1: Overlaps and intersections. “Green fields. Örsundaån, Sweden”. Photograph: Christopher Line.] https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390862347756-BC48NGUWP3MT3B0E7PZD/figure2.jpg Writing - Turning the field: Contradictions in Landscape Urbanism Figure 2: “Malfacone steel yard, Malfacone, Italy”. Photograph: Christopher Line. Patterns emerge from simple rules everywhere. https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390862280495-WKI0NC92US6DBZWKGGTR/figure3.jpg Writing - Turning the field: Contradictions in Landscape Urbanism Figure 3: A pragmatic but poetic line. “Coal surplus. Hostrupskov, Denmark”. Photograph: Christopher Line. https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390862440450-A44DTLF1RXZ2QKZIZHF0/figure4.jpg Writing - Turning the field: Contradictions in Landscape Urbanism Figure 4: Breaking and turning the earth. “Turning the field, Lodi, California”. Photograph: Christopher Line http://www.christopherdgray.co.uk/writing/2014/1/28/from-emergence-to-divergence-modes-of-landscape-urbanism monthly 0.5 2014-01-28 https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390944561161-ZAT6UNE22HYEF8X0CGYM/smithson-planted-barge.jpg Writing - From emergence to divergence: modes of landscape urbanism Robert Smithson’s “Floating Island”. New York City, USA. September 2005. Photograph: Author's own. http://www.christopherdgray.co.uk/writing/2006/3/13/measure-phenomenological-ontological-readings monthly 0.5 2014-01-28 https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390945608590-51OOXC379VGL25Q9SWDQ/plate4-common-grazings.jpg Writing - Measure: phenomenological & ontological readings Measures of subsistence: common grazing. Illustration: Author's own. http://www.christopherdgray.co.uk/writing/2014/1/27/folding-landscapes-defining-a-new-language-of-surface monthly 0.5 2014-01-28 https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390863120119-MSUKYW8IUHX79KIJVDU5/da-vinci-garment-study.jpg Writing - Folding landscapes – defining a new language of surface? Leonardo da Vinci, Garment study for a seated figure, 1470-84. Brush and grey distemper on grey canvas, 266 x 233 mm. Musée du Louvre, Paris. http://www.christopherdgray.co.uk/writing/2014/2/10/short-review-parks-green-urban-spaces-in-european-cities monthly 0.5 2014-02-10 http://www.christopherdgray.co.uk/projects daily 1.0 2014-10-20 https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390859566261-UP5RVLNG2KNBJ31U2SO8/2012-london-olympics-32.jpg Projects https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390860281572-SGJFDLLO8R3OW8RCC5EJ/culross-15.jpg Projects https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1391545652235-NMOVTVU0JZ1WGLW4WYJN/norway-622.jpg Projects - Ørnesvingen https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1413837512907-XBR345LLZZ8RLK3RM89I/ballet-of-steel-dinosaurs-sheet5.jpg Projects - The Ballet of the Steel Dinosaurs Six listed cranes line Imperial basin, striding in line to Imperial Dry Dock. The six are of different designs, articulated and balanced according to soon-to-be redundant industrial requirements. We believe these industrial artefacts should be not simply retained, but re-animated as interactive elements of a new living vibrant city quarter. So what should they do? In the absence of the demand for heavy moving ability, what part of the massive industrial labour of loading and unloading do we ape or recreate? In the absence of ships and cargo, what modern (or virtual?) goods do we metaphorically move from ship to shore or shore to ship in remembrance of their former massive efforts? http://www.christopherdgray.co.uk/photography-momentum daily 0.75 2025-06-10 http://www.christopherdgray.co.uk/about2 daily 0.75 2012-10-23 https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390853602359-FP1JF7WR814SVGFZ0NEB/Bergen-tightrope.jpg About http://www.christopherdgray.co.uk/about daily 0.75 2013-10-04 https://images.squarespace-cdn.com/content/v1/52e6b45ae4b06c2b5ce5ed87/1390943276086-3B7GBOMITJ2QM3WILYFN/norway-15.jpg About http://www.christopherdgray.co.uk/about-momentum daily 0.75 2025-06-10 https://images.squarespace-cdn.com/content/v1/50130f1ae4b006ef41174e6b/1445893705141-HG6HWLLF207I9XQD4MGQ/ea.jpg About Rhys Logan